Untitled, 2015
200 x 130 x 44 cm
plywood, whitewash, plastic foil
My current work consists of several individual pieces, 9 of which made up my bachelor project in 2015. They deal with different forms of abstraction in photography and the apparent contradiction of the creation of an image on the one hand and photography, an inherently reproductive medium, on the other hand.
The pieces vary in their form of abstraction. Some are simply photographs and do not seem abstract at all. But through recontextualization they are abstracted from their reference. They no longer stand for the circumstances of their origin but for themselves in the context of other pieces they are combined with. Others seem very abstract even at the first glance. Those are usually produced without the use of a camera or even without the use of any photographic material at all. What the pieces have in common is that they all refer to themes of and questions about photography.
Untitled, 2015
84,5 x 59,5 cm
cardboard, c-print, luminous foil, electronics
Untitled, 2015
25 x 81 (4x 25 x 18) cm
silver gelatin prints, thread, paint
Untitled, 2015
73 x 123 (2x 73 x 60) cm
c-prints
Untitled, 2015
2x 41,5 x 50,5 cm
c-prints, framed
Untitled, 2015
21,5 x 27,5 cm
c-print
Untitled, 2015
9 x 9 x 9 cm
plywood, mirror, paper, luminous foil, electronics
Untitled, 2015
150 x 123 cm
c-print
Untitled, 2015
150 x 123 cm
c-print
imprint
/contact
Untitled, 2015
200 x 130 x 44 cm
plywood, whitewash, plastic foil
Untitled, 2015
84,5 x 59,5 cm
cardboard, c-print, luminous foil, electronics
Untitled, 2015
25 x 81 (4x 25 x 18) cm
silver gelatin prints, thread, paint
Untitled, 2015
73 x 123 (2x 73 x 60) cm
c-prints
Untitled, 2015
2x 41,5 x 50,5 cm
c-prints, framed
Untitled, 2015
21,5 x 27,5 cm
c-print
Untitled, 2015
9 x 9 x 9 cm
plywood, mirror, paper, luminous foil, electronics
Untitled, 2015
150 x 123 cm
c-print
Untitled, 2015
150 x 123 cm
c-print
These 9 pieces made up my bachelor project in 2015. They deal with different forms of abstraction in photography and the apparent contradiction of the creation of an image on the one hand and photography, an inherently reproductive medium, on the other hand.
The pieces vary in their form of abstraction. Some are simply photographs and do not seem abstract at all. But through recontextualization they are abstracted from their reference. They no longer stand for the circumstances of their origin but for themselves in the context of other pieces they are combined with. Others seem very abstract even at the first glance. Those are usually produced without the use of a camera or even without the use of any photographic material at all. What the pieces have in common is that they all refer to themes of and questions about photography.