Untitled, 2015

200 x 130 x 44 cm

plywood, whitewash, plastic foil

My current work consists of several individual pieces, 9 of which made up my bachelor project in 2015. They deal with different forms of abstraction in photography and the apparent contradiction of the creation of an image on the one hand and photography, an inherently reproductive medium, on the other hand.

 

The pieces vary in their form of abstraction. Some are simply photographs and do not seem abstract at all. But through recontextualization they are abstracted from their reference. They no longer stand for the circumstances of their origin but for themselves in the context of other pieces they are combined with. Others seem very abstract even at the first glance. Those are usually produced without the use of a camera or even without the use of any photographic material at all. What the pieces have in common is that they all refer to themes of and questions about photography.

Untitled, 2015

84,5 x 59,5 cm

cardboard, c-print, luminous foil, electronics

Untitled, 2015

25 x 81 (4x 25 x 18) cm

silver gelatin prints, thread, paint

Untitled, 2015

73 x 123 (2x 73 x 60) cm

c-prints

Untitled, 2015

2x 41,5 x 50,5 cm

c-prints, framed

Untitled, 2015

21,5 x 27,5 cm

c-print

Untitled, 2015

9 x 9 x 9 cm

plywood, mirror, paper, luminous foil, electronics

Untitled, 2015

150 x 123 cm

c-print

Untitled, 2015

150 x 123 cm

c-print

imprint

/contact

Untitled, 2015

200 x 130 x 44 cm

plywood, whitewash, plastic foil

Untitled, 2015

84,5 x 59,5 cm

cardboard, c-print, luminous foil, electronics

Untitled, 2015

25 x 81 (4x 25 x 18) cm

silver gelatin prints, thread, paint

Untitled, 2015

73 x 123 (2x 73 x 60) cm

c-prints

Untitled, 2015

2x 41,5 x 50,5 cm

c-prints, framed

Untitled, 2015

21,5 x 27,5 cm

c-print

Untitled, 2015

9 x 9 x 9 cm

plywood, mirror, paper, luminous foil, electronics

Untitled, 2015

150 x 123 cm

c-print

Untitled, 2015

150 x 123 cm

c-print

These 9 pieces made up my bachelor project in 2015. They deal with different forms of abstraction in photography and the apparent contradiction of the creation of an image on the one hand and photography, an inherently reproductive medium, on the other hand.

 

The pieces vary in their form of abstraction. Some are simply photographs and do not seem abstract at all. But through recontextualization they are abstracted from their reference. They no longer stand for the circumstances of their origin but for themselves in the context of other pieces they are combined with. Others seem very abstract even at the first glance. Those are usually produced without the use of a camera or even without the use of any photographic material at all. What the pieces have in common is that they all refer to themes of and questions about photography.