blck_frst_rght_bw (2015)
250 cm x 190 cm
(34x 30 cm x 40 cm)
Baryt prints
Piece for RGB (2016)
2nd installation
90 cm x 140 cm
Striplights, c-prints, epoxy resin
Piece for RGB (2016)
1st installation
RGB (2015, 2016)
RGB is the first part to a much larger body of work, that deals with the material in photography. This work – RGB – deals with the question if light might be that material and compares it to the properties of other materials of artistic expression.
Can it be found, harvested, refined? Can it – like a pigment – be used up in creating an image? Does it hold the potential – like a block of marble – to be shaped into any artwork that's conceivable? Does it form an irreversible connection with the resulting image?
Those are a few of the questions this work deals with. The answer however cannot be given without looking at other candidates for the material in photography like for instance reality, the negative/file or even the paper to be printed on.
Untitled (Reality )(2016) detail
100 cm x 80 cm
Digital c-print
blck_frst_rght_c (2015)
250 cm x 190 cm
(34x 30 cm x 40 cm)
C-prints
imprint
/contact
blck_frst_rght_bw (2015)
250 cm x 190 cm
(34x 30 cm x 40 cm)
Baryt prints
Piece for RGB (2016)
2nd installation
90 cm x 140 cm
Striplights, c-prints, epoxy resin
Piece for RGB (2016)
1st installation
Untitled (Reality) (2016) detail
100 cm x 80 cm
Digital c-print
blck_frst_rght_c (2015)
250 cm x 190 cm
(34x 30 cm x 40 cm)
C-prints
RGB (2015, 2016)
RGB is the first part to a much larger body of work, that deals with the material in photography. This work – RGB – deals with the question if light might be that material and compares it to the properties of other materials of artistic expression.
Can it be found, harvested, refined? Can it – like a pigment – be used up in creating an image? Does it hold the potential – like a block of marble – to be shaped into any artwork that's conceivable? Does it form an irreversible connection with the resulting image?
Those are a few of the questions this work deals with. The answer however cannot be given without looking at other candidates for the material in photography like for instance reality, the negative/file or even the paper to be printed on.